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"One ..."
I'm standing on the arm of the living room sofa, getting
ready to jump. At 9 years old I'm not much of a Superman, but it
isn't for lack of trying. I have my hair (which is inconveniently
blond) slicked back in the best Superhero do I can manage.
"Two ..."
The bed sheet draped across my narrow shoulders serves as
an impromptu cape. With my scrawny chest puffed out in proud
defiance, all I need is a little superpower to hold me up once I
leap into midair. I'm not just any Superman mind you —
I'm Christian Superman, fresh from a Sunday
school lesson on faith.
"Three ..."
"You can move mountains," my teacher told me, "if only you
have faith like a mustard seed." If faith can move mountains, I
reason, sending my 80-pound body soaring should be a
cinch.
Thump!
You guessed it. My flight from the couch (and reality) ended
in a heap on the living room floor. Over time the bruises healed.
Eventually my faith matured. And since that day I hadn't given
Superman much thought, until recently, when I was asked to
attend a press screening of Superman Returns.
In one way the movie was very much what you'd expect
from a summer blockbuster: crazy effects (in one slow-mo scene
a bullet bounces off Superman's eyeball!), nail-biting rescues, a
romantic subplot and enough cheese to make a pizza. All the
same, there was something nostalgic and oddly warming about
watching the Man of Steel sweep across the big screen again,
this time embodied by 26-year-old Brandon Routh. Routh bears
uncanny resemblance to the late actor Christopher Reeve, which
made Superman's reentry into my imagination feel
effortless.
But, as I sat basking in the glow of Superman's rebirth, I
realized there was something quite different about this latest
rendering. Like my childhood fantasy, this Superman story came
with some Christian ideas thrown in. A lot of them. So many it
made me wonder whether I was sitting in a theater or a
church.
The film's opening lines sound like a bad translation of the
Gospel of John. Superman's father delivers a posthumous
message to his son:
"Even though you've been raised as a human being, you're
not one of them. They can be a great people, Kal-El. They wish
to be. They only lack the light to show the way. For this reason
above all — their capacity for good — I have sent
them you, my only son."
Scriptural echoes don't stop there. Superman's relationship
to his father remains a focal point. "The son is in the father, and
the father is in the son," is a recurrent line. Then there's the
suffering servant motif. In one scene Superman suffers at the
hands of his enemies in a manner reminiscent of Golgotha, right
down to receiving a wound in his side. In another scene, after
making a dramatic rescue, Superman "dies," falling from the sky
with arms outstretched in the unmistakable shape of the cross.
So explicit are the parallels that CNN dubbed the movie "another gospel" for Christian movie
fans.
So what are we to make of this?
Well, CNN may be overstating things a bit. This movie is no
fifth gospel. In fact it's not even perfect allegory; it's echo and
allusion. The Man of Steel is no Man of Sorrows, no matter how
much you play up the similarities. With his sculpted body and
flashy powers Superman calls to mind the gods of ancient
Greece — not the Jesus of the Bible. Still it is intriguing to
see a Hollywood movie addressing Messianic themes, however
imperfectly.
Perhaps most interesting, though, is what the movie says about
us. Superman Returns has a powerful and distinctly Christian
message about our need for a savior. For this reason I think the
film could serve as an excellent starting point for fruitful
discussions between Christians and unbelieving friends.
The strongest commentary on this topic comes in the
interactions between Superman and Lois Lane. Lois, the
hard-nosed reporter, has won the Pulitzer Prize for writing an
article entitled, "Why the world doesn't need Superman." In one
especially poignant scene series, she lashes out at Superman,
"The world doesn't need a Savior and neither do I!" Superman
doesn't respond immediately. Instead he takes her up for a flight
into the silence of the stratosphere.
"What do you hear?" he asks her.
"Nothing," she replies.
For a moment we hear through Superman's ears: A chorus
of a thousand desperate voices rings in his head.
"I hear everything," he tells her.
Back on the ground he makes his point. "In your article you
wrote that people don't need a Savior, yet everyday I hear people
crying for one."
This struck me as a powerful exchange. It may sound like a
simple idea: that people need a savior. But to see this idea
developed in the context of a big budget movie is rather
remarkable. Hollywood films tend to preach a gospel of
self-sufficiency. In movies the moment of salvation usually
comes when the character stops looking for help from others
and starts seeking strength from within. That's when triumph is
at hand — when the character musters the
self-confidence or courage to prevail.
Even biblical stories can get shoe-horned into this familiar
mold in tinsel town. Recently I watched a television series on
Moses that had the great leader of Israel spouting straight pop
psychology at his beleaguered soldiers on the eve of battle. "God
is not going to save you this time," he thundered. "God wants
you to save yourself!"
Huh? "Save yourself?" Don't remember that line in the
Bible.
Superman Returns is different. It entertains no such
illusions about our abilities. In this way it echoes important
biblical teaching. In Scripture, supreme self-confidence isn't
lauded as heroic, it's denounced as sin. Righteousness is
described as total dependence on God. It's realizing that we're
sinful and fallen. Only once we turn to the Savior with humility
and gratitude are we saved.
We're not much for saviors these days. We prefer to think
that we have all the necessary resources to save ourselves.
Relying on a savior makes us feel weak, needy and desperate.
But the truth is that we are weak, needy and
desperate. And really, that's the first tenet of the gospel:
Spiritually, we all need a Savior.
Of course Superman Returns highlights this theme only by
way of metaphor. The Superhero saves bodies, not souls. Yet the
story seems to argue for the necessity of a savior, which is a
refreshing theme to encounter in a secular film.
This week millions of moviegoers will settle into theater
seats looking for entertainment. Hopefully, they will find much
more. Just maybe they will leave the movie thinking about their
own need for a Savior. And we as Christians must be prepared to
tell them His name.
And in case you're wondering, it's not Superman.
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